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  • Tomam-se como corpora três folhetos de literatura de cordel para discutir sobre os modos de construção do conceito de identidade política, sua relação com a memória social e discursiva, os discursos repetíveis, os deslizamentos e as subversões de sentido. A análise de discurso considera que a identidade é um movimento que se faz na história e que, por isso, dá-se entre unidade e dispersão: refere-se às posições do sujeito, as chamadas identidades de posicionamento, e às suas filiações aos interdiscursos. O suporte teórico respalda-se em autores, tais como Michel Pêcheux, Dominique Maingueneau, Roberto DaMatta, Karina Kuschnir e Max Weber, que contribuem com reflexões pertinentes sobre o conceito de identidade política. Abstract: Three papers of the cordel literature were taken as "corpora" in order to discuss about the ways of building the concept of political identity, its relation with the social and discursive memories, with the repeatable discourses, with the slides and with the subversions of the senses. The discourse analysis considers that the identity is a movement made in history and, therefore, between unity and dispersion: it refers to the positions of the subject, what is known as “identities of position”, and its filiations to the inter-discourses. The theoretical support is based on authors such as Dominique Maingueneau, Roberto DaMatta, Karina Kuschnir and Max Weber who also contribute with pertinent considerations about the concept of political identity.

  • La poesía experimental latinoamericana se posiciona frente a la tradición textual que priva a la palabra escrita de sus potencialidades escénicas, gráficas y rituales, y cuestiona los límites del lenguaje, al tiempo que exalta su libertad. La reflexión sobre la letra y la sonoridad de la poesía nos permite considerar a la escritura no como portadora de significados externos a ella, sino como un pensamiento que se despliega por la página y más allá. El aquí y ahora de la escritura se encuentra con el aquí y ahora de la escena, lo cual abre camino a una poesía performativa. Este ensayo reflexiona acerca de estas cuestiones a través del análisis de un caso particular: el trabajo poético y de arte-acción de Raúl Zurita, fundador del Colectivo Acciones de Arte (CADA), el cual tuvo gran impacto en las manifestaciones de arte político durante la dictadura militar de Augusto Pinochet, así como en la manera de concebir los límites entre la literatura y el arte del performance.

  • The intertwining of poetry and space has been a subject of scholarly research and debate for many years, but its study has acquired new vigor with transformations in media and the advent of the Internet. Indeed, a shared concept of space cannot be taken for granted and its facets have been reconfigured to the degree that research initiatives, like that of the Contemporary Poetry in Public Space group1, have become important reference points regarding its nature for researchers exploring the topic. Bearing in mind that, through perception, space and time are bound together, this group’s recent discussion of poetry’s temporal roots in rhythm and corporal gesture (Chamberlain 45-58) necessarily calls for a corresponding reflection on poetry’s rootedness in space. It calls for a reflection understood in the etymological sense of running thoughts backward from the conceptual, through the perceptual, to approach the deep-rooted experience of poetic discourse, understood broadly as a celebration of language.

Last update from database: 10/28/24, 4:45 PM (UTC)