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Índice Introducción de Jorge La Feria Prólogo de Eduardo A.RlLSSO Nota aclaratoria El cuarto iconoclasmo y otros ensayos herejes El cuarto iconoclasmo Repensando a Flusser y las imâgenes técnicas Ensayos en forma de hipermedia La fotografía como expresión del concepto Cuerpos y mentes en expansión El imaginario numérico El imaginario numérico: simulación y síntesis El arte deI video Máquina e imaginario: el desafio de las políticas tecnológicas Televisión: una cuestión de repertorio Los géneros televisivos y el diálogo Las voces del noticiero De la sinestesia o las imágenes de la música Reinvención del videoclip Por qué se desorganizan el lenguaje y el sentido? Antes y después deI cine El cine antes dei cine La caverna y e! acomodado r Anamorfosis cronotópicas o la cuarta dimensión de la imagen El fonógrafo visual La imagen técnica de la fotografia.a la sintesis numérica Tendencias recientes del audiovisual EI recorte de la figura Definición y pregnancia de la imagen EI eterno presente Azar y control en la edición Referencias Bibliográficas Nota sobre el autor
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This article explores the role of poetry in working-class counter-public spheres by examining the work of South Australian working-class performance poet Geoff Goodfellow. Goodfellow's performances at venues like construction sites, maximum security prisons, and pubs create a public space for groups of people usually seen as excluded from literary culture and from the institutions of the dominant public sphere. Goodfellow's readings allow for communal self-reflection and deliberation on such subjects as domestic violence, labour issues, racial questions, and other topics significant to the changing nature of working-class life and identity, and they have had an impact upon corporate and governmental policy in areas like prison reform and labour disputes. His performances suggest the need for working-class studies not only to examine literature by working-class writers, but also to explore issues of reception and performance, and to ask how this literature functions in the social contexts of its production.
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