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Close Listening: Poetry and the Performed Word
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Title
Close Listening: Poetry and the Performed Word
Abstract
Close Listening: Poetry and the Performed Word brings together seventeen essays, written especially for this volume, on poetry readings, the sound of poetry, and the visual performance of poetry. While the performance of poetry is as old as poetry itself, critical attention to modern and contemporary poetru performance has been negligible, despite the crucial importance of performance to the practice of the poetry of this century. This collection opens many new avenues for the critical discussion of the sound and performance of poetry. Paying special attention to innovative work. More important, the essays collected here offer original and wide –ranging elucidatiions of how twentieth-century poetry has been practiced as a performance art.
Introduction. Charles Berstein
I.-Sound´s Measures
1. Letter on Sound. Susan Stewart.
2. The Aural Ellipsis and the Nature of Listening in Contemporary Poetry. Nick Piombino.
3. Praxis: A Political Economy of Noise and Information. Bruce Andrews.
4. After Free Verse: The New Nonlinear Poetries. Marjorie Perloff.
5. Ether Either. Susan Howe.
II. Performing Words
6. Visual Performance of the Poetic Text, Johana Drucker.
7. Voice in Extremis. Steve McCaffery.
8. Toward a Poetics of Polyphony and Translatabilityl. Dennis Tedlock.
9. Speech Effects: The Talk as a Genre. Bob Perrelman.
10. Sound Reading. Peter Quartermain.
III-Close Hearings/Historical Settings
11. Understanding the Sound of Not Understanding. Jed Rasula
12. The Contemporary Poetry Reading. Peter Middelton
13. Neon Griot: The Functional Role of Poetry Readings in the Black Arts Movement.
14. Was That “Different”, “Dissident” or “Dissonant”? Poetry (n) the Public Spear: Slams, Open Readings, and Dissident Traditions.Maria Damon.
15. Local Vocals: Hawaii´s Pidgin Literature, Performance and Postcoloniality. Susan M. Schltz
Afterword: VWho Speaks: Ventriloquism and the Self in the Poetry Reading. Ron Silliman
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Publisher
Oxford University Press
Date
1998/7/02
Language
en
ISBN
978-0-19-985526-1
Short Title
Close Listening
Accessed
3/8/24, 7:01 PM
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Notes
Citation
Close Listening: Poetry and the Performed Word, 1998. . Online. Oxford University Press. ISBN 978-0-19-985526-1. [Accessed 8 March 2024].
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